Starring: Leslie Cheung, Zhang Fengyi
Director: Chen Kaige
Studio: Infinity Entertainment (Korea)
Rating: 15+
Genre: Drama
About This DVD
Critically acclaimed as one of the best films of the year, this seductive,
award-winning triumph captivated moviegoers the world over. It's the compelling
tale of two lifelong friends unexpectedly caught in a passionate love triangle
with the woman who comes between them! Academy Award-nominated Farewell, My
Concubine (1993 - Best Foreign Language Film) earned the Golden Globe as best
foreign film in addition to claiming Best Picture honors at the prestigious
Cannes Film Festival! Packed with vivid, provocative imagery throughout, this
sensual story of love and betrayal is the hot and exotic must-see movie of the
year!
The most compelling aspect of "Farewell My Concubine," the sumptuous,
controversial new film from Chinese filmmaker Chen Kaige, is its swooning
infatuation with the theater -- with its colors, its vitality and even its cruel
rigors.
The main focus of this sweeping epic is Douzi, a delicate young boy who is
dropped by his mother, a prostitute, into the hands of Master Guan (Lu Qi), the
head of the Peking Opera in 1925. And the early scenes, in which this shy,
stubborn lad is introduced to the torturous discipline and physical training
that all students of the opera must endure, have the bustle and textured squalor
of the orphanage scenes in Dickens.
Nearly all of these boys -- the Peking Opera is an all-male cult -- are like
Douzi, unwanted, abandoned or left at the front steps of the opera's living
quarters by parents too poor to raise them. Essentially they are sold into
slavery to the theater. And to prove themselves worthy of the opera's past, they
train, like soldiers in boot camp, stretching and contorting and disciplining
their bodies, to learn the precise and demanding techniques of makeup and song.
Even though the peasants are nearly penniless, the opera is more popular than
ever, its glamorous stars worshiped like deities. When Douzi watches them
perform, the stage transformed and radiant with light and magic, his eyes double
in size. He longs to be like them, and for the sake of this dream he endures the
beatings and other sadistic punishments that are dished out every day.
And Douzi's dream comes true. He makes it to the top and, even better, so does
his best friend, Shitou, who was the only one to stand up for Douzi when he
arrived. By now Douzi and Shitou have changed their names to Cheng Dieyi (Leslie
Cheung) and Duan Xiaolou (Zhang Fengyi) and are known throughout the provinces.
Because of Cheng's slender build and soft features, he is trained to play female
roles, while the brawny, imposingly athletic Duan is groomed to play kings and
warriors. As performers, they are wed for life to these roles, and in a sense,
so are the two friends.
The director carries us through this early history with impressive sensitivity;
he has a beautiful, graceful touch, both with the camera and with his actors.
Chen Kaige details the relations between these two children grown into men with
exquisite delicacy, revealing that Cheng has fallen madly in love with Duan,
who, while he loves his friend, is susceptible to other charms. It is only when
this partnership is threatened -- by Duan's relationship with a former
prostitute named Juxian (Gong Li) -- that we begin to understand what a velvet
coffin their lives and careers have become. The line between their art and their
lives is smudged, and so they play their roles, both onstage and off, without
deviation or variation.
This is the film's fundamental point. And to convey it the director draws
parallels between theater and history, between the perpetual order of art and
the chaos of real life. Duan and Cheng represent this order, and yet according
to the politics of the time, their relationship is a distortion of natural law
and must not be allowed to stand.
The movie, which Chen and Lilian Lee adapted from Lee's novel, follows these
friends from the brutalities of the feudal age through the occupation by the
Japanese and the tidal wave of Mao's Cultural Revolution. And again and again
history drives a wedge between the two friends. Somehow, though, the film --
which was censored, then banned and un-banned twice by Communist officials in
China -- isn't as gripping in its second half as it was in the first. When his
characters are children, Chen is completely plugged into them emotionally, and
yet after they become adults he abandons emotion and psychology in favor of a
more distanced historical perspective.
In the process, we lose contact with the characters, who instead of moving
closer, seem to wander farther away. Human motives disappear, to be replaced
with ideology. As a result, "Farewell My Concubine," doesn't build dramatically;
instead, it sort of peters out. It's a lovely film, but a little inert. It
reaches its high point with glorious close-ups of the children. From there, it's
all downhill.
Audio Format: | DD 5.1 Surround |
Video Format: | Widescreen 1.85:1 (Anamorphic) |
Languages: | Mandarin |
Subtitles: | English, Korean |
Country Made: | China |
Region Code: | All |
Year Made: | 1993 |
Running Time: | 171 |
Special Features: | Play Movie, Scene Selections, Cast & Crew, Synopsis, Gallery |
Availability: | Usually ships in 5-10 days |
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