Author: Hoon Kim
Publisher: Hakgojae
408 pages | 188*128mm
| Important! Please read before you order! |
| >>>This book is written in Korean. |
About This Book
Kim Hoon is a celebrated writer, whose new books are eagerly anticipated
and once they are out, book signings are immediately scheduled.
Much is the same with his new book Heuksan, (Black Mountain) which
deals with the religious persecution of Catholics in 1801.
Kim, who has dealt with significant historical events in his previous
books, offers yet another mix of the real and the fictional from early
19th century Joseon Kingdom (1392-1910).
The novel starts after the persecution has begun and respective
sentences have been handed down to members of the literati family of the
Jeong brothers for their beliefs or dalliance in Catholicism.
The names of the ruling elite that appear as protagonists are real. The
Jeong brothers — Yak-hyeon, Yak-jeon, Yak-jong and Yak-yong — and Hwang
Sa-young, the son-in-law of the eldest Jeong.
Fictional are several low-class protagonists — a groom, a servant, a
low-class merchant, a low-level clerical worker and a former court lady.
And together, these figures lives intertwine to tell a sorrowful tale
of the people who lived, and died for their embrace of Catholicism.
The writer tells the story mainly through the voice of Yak-jeon, who
goes into exile on Black Mountain Island. Its a no mans land that he
arrives at, at the expense of his younger brother Yak-jongs death.
Another younger brother Yak-yongs life is saved and he also goes into
exile.
A life saved, but utterly devoid of integrity.
It was several months ago that Jeong Yak-jong, the younger brother died
smiling while his head was decapitated, but it feels so far away as if
it took place in another life. Yet the further it seems, the clearer it
becomes in my mind. Is it a betrayal of Catholicism to preserve my life
on this Earth by shedding once-scintillating thoughts aside and pulling
down others? How is it that life is only possible through betrayal? As
the dead Yak-jong said, was there no betrayal (in what I did) because
there was no belief to begin with? Is that it? Or isnt that what it
is? the protagonist thinks to himself as he watches the birds and the
fishes on Black Mountain Island.
The other central figure is Hwang Sa-young, the son-in-law to the eldest
Jeong, who fully embraces Catholicism. A prodigy, he passes the national
exam to become a civil servant at 16, but remains outside the court.
His marriage into the Jeong family introduces him to Catholicism, which
he embodies. He is found out by officials later — with his famous secret
silk document that asks the Chinese dynasty at that time to intervene to
stop religious persecution. Hwang is decapitated and torn to pieces on
his death.
The low-class figures in the book are all the more gripping for the
simplicity of their belief.
The groom, who by chance becomes the deliveryman for Hwang Sa-young and
the Catholics in China, and Ari, a servant girl who came to live, almost
by accident, at a Catholic house after fleeing her employers who raped
her.
There is a poignancy in the servant girls plight. She never really got
to saw her servant mother who was perpetually lent out to other
aristocrat families to breast-feed their babies.
When the servant girl named Ari is interrogated and asked to confess her
Catholic beliefs that the court officials likened to betrayal of her
parents and her King, she said I would not know about that but I know
that the messages were simple and clear, as if they were within my heart
to begin with. She is also put to death.
Kim has touched on important historical incidents before, with wild
success.
His 2001 novel Sword, which dealt with the struggles of Admiral Yi
Sun-shin (1545-1598), was a million seller. It drew rare attention when
the late former President Roh Moo-hyun (2003-2008) favorably mentioned
it.
His Mt. Namsan Fortress, published in 2007, was also about the 47 days
that King Injo (1595-1649) spent in isolation seeking refuge at the
fortress during an invasion.
Thus, the Heuksan runs along that vein. Historical facts appear,
although not too specifically, on almost every page and old Korean words
appear to impede the reader initially. Different readers may construe
differently upon their inclination.
But with each of the stories, Kim addresses the suffering, the sadness
and the pain of people who lived with the consequences of their choices,
whether that choice be of their own volition or are the sum of
happenstance incidents and events.
janee@koreatimes.co.kr
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