Author: Ko Un
Publisher: Changbi
Hardcover | 12-vol. set
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About This Book
'Maninbo' Tells Narrative of Korean History
"Maninbo" consists of 4,001 poems describing 5,600 people who
witnessed and shared moments in Koreas modern history.
Poet Ko Un has finally completed "Maninbo" (Ten Thousand Lives), a
30-volume epic poem series, 25 years after he first began publishing the
monumental work in 1986.
The 77-year-old initiated the landmark epic poem series when he was
imprisoned in 1980 on false accusations of treason during a military
coup. He decided to describe every person he had ever met in his life in
the project.
After being freed from the prison in 1982, he began writing the poems
and published the first volume in 1986.
Representing one of the major classics of 20th-century Korean
literature, "Maninbo" consists of 4,001 poems describing 5,600 people
who witnessed and shared moments in Korea's modern history.
His poems are an intensive historical narrative conjuring up a
biographical mosaic of modern times in Korea chronologically. The poems
begin with his childhood, and later explore various regional, social,
historical and political scenarios seen through the eyes of individual
Koreans.
The first six volumes portray his childhood hometown through various
figures around him in a folksy and tasty language.
Then, the Nobel Prize contender shifts to the Korean War (1950-53),
depicting the suffering of individuals under the extreme poverty in
volumes seven to nine.
In volumes 10 to 15 published after a six-year hiatus, Ko talks about
individuals living in the 1970s, including his friends who joined the
democratic movement. He also describes figures such as former President
Park Chung-hee as an "angry viper" and Kim Hyung-wook, former head of
the Korea Central Intelligence Agency from 1963 to 1969 as "a
pot-bellied man who is in no way stupid."
The poet then released volumes 16 to 20, which deal with people who
experienced the colonial era, liberation and the Korean War.
In volumes 21 to 23, Ko portrays figures involved in the April 19
movement, which overthrew the autocratic government of Syngman Rhee in
1960, while volumes 24 to 26 touch upon the lives of Korean Buddhists
and their faith.
He has finally ended his epic poem with the last four volumes by mostly
recalling the victims of the Gwangju democratic movement that took place
from May 18 to 27 in 1980. Citizens rose up against Chun Doo-hwan's
military dictatorship and were brutally crushed by the military regime.
The last publication also includes coverage of the late President Roh
Moo-hyun and present-day literary and cultural figures.
Ko captures the traumatic scenes of Gwangju with poetic but realistic
portrayals of the numerous innocent civilians -- from an ordinary
housewife to a university student -- who were killed. It reveals the
human brutality and violence without any reserve, serving as witness to
the intolerable historical incident.
His poetic language has a powerful impact that enables readers to share
the individual pain and loss from these historical incidents. His poetic
motif includes not only people but also objects such as the nature. His
4,001 poems have individual stories but are eventually converged into a
big picture with a grand historical narrative.
"I hope 'Maninbo' goes beyond just human beings and develops into the
unification of human beings, nature and the universe," Ko said in a
press conference last week. Also, the poet expressed his wish that his
unique poetry would pioneer a new narrative genre on the world
literature scene beyond the boundaries of poetry.
Ko's work has been translated into 15 other languages with a total of 30
translated volumes published worldwide so far, and has been nominated
for the Nobel Prize in Literature for the past few years.
American poet Robert Hass hailed "Maninbo" as "one of the most
extraordinary projects in world literature."
Brother Anthony of Taize, better known as An Son-jae in Korea, writes
about his masterpiece "Maninbo" in the U.S.-based magazine World
Literature Today (WLT).
"The Maninbo poems can best be seen as an immense mosaic narrative of
Korean history. Instead of conceiving history as dominated and directed
by a few powerful figures, Ko Un insists that Korea's history is
embodied and endured by its people as a whole, so that little children
and poor old women are as significant as political leaders and famous
public figures," An wrote.
An also appreciates the poet for breaking stereotypes and ideologies to
pierce the very heart of matters time after time. "The scale of Ko's
vision is so vast, his research for each life so complete, that the 30
volumes seem destined to become essential reading for any who want to
know what really happened in recent Korean history," he said.
Ko was born in Gunsan, North Jeolla Province in 1933. He witnessed
atrocities and violence during the Korean War and then became a Buddhist
monk and released his first poems in 1950s in a Buddhist newspaper. In
the 1960s, after having quit monastic life, he went through intense
meditative agony.
In the 1970s, he fought for democracy and workers' rights, along with
other dissidents. In 1980, when the Gwangju democratic movement took
place, he was taken to a military prison along with other figures after
being sentenced to 20 years in prison by a court martial. "Maninbo,"
began in the prison where he recalled all the people he had met in his
life from poor to rich men and the unknown to the famous.
--Koreatimes.co.kr
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