Author: Curtis Sittenfeld
Translator: Jin Lee
584 pages | 149 * 219 * 37 mm /761g
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|>>>This book is written in Korean only.|
About This Book
Curtis Sittenfeld’s debut novel, Prep, is an insightful, achingly funny
coming-of-age story as well as a brilliant dissection of class, race, and gender
in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.
As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of - and, ultimately, a participant in - their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.
Ultimately, Lee’s experiences - complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
From The New Yorker
Any feelings of nostalgia for adolescence should be dispelled by the exacting intimacies of this first novel. Lee Fiora, a scholarship student at the prestigious Ault School (not Ault Academy, as her parents embarrassingly refer to it), negotiates her days there in a blaze of self-consciousness that is, by turns, hilarious and excruciating: "I believed then that if you had a good encounter with a person, it was best not to see them again for as long as possible." And yet she becomes an expert on the rituals that govern the rarefied microenvironment in which she finds herself: the students' fondness for catchphrases like "therein lies the paradox" and "LMC" (lower middle class); the taboo against enthusiasm for anything other than sports; the fact that the school always sings "God be with you till we meet again" at chapel before breaks. In the end, Lee's incisive vision of herself and others is her downfall but also - as this richly textured narrative suggests - her greatest gift.
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