Author: Harriet Beecher Stowe
Translator: Jong-in Lee
2-vol. set | 210*140mm
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|>>>This book is written in Korean.|
About This Book
This is one of those books that everybody has heard about but few people these days have actually read. It deserves to be read - not simply because it is the basis for symbols so deeply ingrained in American culture that we no longer realize their source, nor because it is one of the bestselling books of all time. This is a book that changed history. Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of pre-Civil War Americans. It is unabashed propaganda and overtly moralistic, an attempt to make whites - North and South - see slaves as mothers, fathers, and people with (Christian) souls. In a time when women might see the majority of their children die, Harriet Beecher Stowe portrays beautiful Eliza fleeing slavery to protect her son. In a time when many whites claimed slavery had "good effects" on blacks, Uncle Tom's Cabin paints pictures of three plantations, each worse than the other, where even the best plantation leaves a slave at the mercy of fate or debt. By twentieth-century standards, her propaganda verges on melodrama, and it is clear that even while arguing for the abolition of slavery she did not rise above her own racism. Yet her questions remain penetrating even today: "Is man ever a creature to be trusted with wholly irresponsible power?"
When Uncle Tom's Cabin was published in 1852, it became an international blockbuster, selling more than 300,000 copies in the United States alone in its first year. Progressive for her time, Harriet Beecher Stowe was one of the earliest writers to offer a shockingly realistic depiction of slavery. Her stirring indictment and portrait of human dignity in the most inhumane circumstances enlightened hundreds of thousands by revealing the human costs of slavery, which had until then been cloaked and justified by the racist misperceptions of the time. Langston Hughes called it "a moral battle cry," noting that "the love and warmth and humanity that went into its writing keep it alive a century later," and Tolstoy described it as "flowing from love of God and man."
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